![]() Pitch and velocity sensitive mouse clicks, Smart Thru forĮxternal keyboard auditioning, computer keyboardĪllows chunks of a patch (Oscillator, LFO, Envelopes,Įffects, etc) to be copied and pasted within a patch, toĪnother patch, or stored as a template for future useĭrag and drop interface to copy, paste, or swap Patch auditioning options: audition after edit, Unlimited Undo with auditionable history for risk free Record and playback parameter edits as AU, VST3,Ĭopy & Paste any combination of parameters.iPad/iPhone Remote editing using TouchOSC.Remote editing using CC and NRPN messages from hardware MIDI controllers.Direct numeric entry from the computer keyboard.Easy to use grab and drag editing in either.To the instrument so the instrument stays in sync with the Midi Quest and the differences between the three versions,ĭesigned with logically grouped parameters to provide fast Plug-in technologies: AU, VST3, VST2, AAX, MFX, and Studio Connections.īelow is a small sampling of Midi Quest features. Midi Quest Pro offers the widest selection of editor/librarian You can display, edit, tweak, organize, audition,Īrchive and manage your Prophecy from the focal point of your Soft-synth or run the editor as a separate application connected to Integrate the Prophecy with your DAW and use it the same way as a MIDI Quest Pro, Midi Quest, Midi Quest Essentials, and Midi Quest one allow you to manage the following SysEx from the Prophecy: Patch Bank, Patch, Arpeggio Bank, Arpeggio, Global, All Data, Patch Bank (1) and Patch Bank (2). Midi Quest includes all of the standard features you would expect toįind in a Prophecy Editor Librarian along with unique capabilities found Midi Quest multi-instrument editor/librarian gives you the tools to get the most from your Korg Prophecy. This is not intended to demo the capabilities of MOSS, just to contrast the hardware from 25 or so years ago against the software from today.Korg Prophecy Editor Librarian Midi Quest for Macintosh and Windows The first two riffs are played with the preset "Grungy", the second two with "Control Bass", the third pair with "Airworks" and the last two with "The Big One". There has been no processing in terms of compression, EQ etc. I did not use any controllers other than pitchbend and aftertouch. There was no attempt to match the FX on the presets (I just used the ones they came with). In each pair, the first is the softsynth and the second is the hardware. There are four riffs, each of which is played twice from the same MIDI data. This track contains 8 patches, 4 from the Korg Prophecy VST and 4 of the same name from the hardware SOLO-TRI card in my Korg Trinity. ![]()
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